Subscribe: Apple Podcasts | Android | RSS
[display_podcast]
Here we are with our second show on the FIR podcast network.
And this week, we’re not talking about Toronto Mayor Ford’s – er…rather unique – approach to communications. That will come soon.
Gini introduces our topic, which she found via the Vocus content suite she’s testing out; a story about how Visa fired its PR agencies and took the work in house.
Is this a trend?
Gini hopes this won’t continue, but thinks there’s a chance it might. So she’s looking for more signs and wonders if other larger corporations will follow suit or not.
Joe references Dell’s experiment with a purpose-built agency that they started and then abandoned. He doesn’t believe the move to in-house is going to be a trend because agencies bring a broad outside approach, ideas and creativity that is a benefit for clients.
Martin agrees and says the external viewpoint offers a fresh perspective you may not have considered and gives the example that often times what seems like big news to a client may not be to the world and it’s an agency’s job to offer solid counsel and say the things you may not want to hear.
Agencies can also provide insights and analytics that help clients understand whether or not a campaign is a success and why.
We also talk about Twitter’s new Custom Timelines, content streams where you can follow a topic or hashtag and embed the feed on your website or blog. It’s something you could do on Hootsuite within the platform, but now on Twitter, it’s a publicly sharable feed.
********************************************************************
We’d love to hear your thoughts.
Send us an email or an audio comment to [email protected], join the Inside PR Google+ Community, join the Inside PR Facebook group, leave us a comment here, message us @inside_pr on Twitter, or connect with Gini Dietrich, Joseph Thornley, and Martin Waxman on Twitter.
Our theme music was created by Damon de Szegheo; Roger Dey is our announcer.
Inside PR is part of the FIR Podcast Network.
Inside PR is produced by Kristine D’Arbelles and Ashlea LeCompte.